Behind, Before, and Between the Knees,” essay for the exhibition catalogue of Cecily Brown: The Spell at CFA Berlin (September, 2022)

What do the hands do when Death arrives?” essay for the exhibition catalogue of Cecily Brown’s Triumph of Death at Museo e Real Bosco di Capodimonte, commissioned by Thomas Dane Gallery (Ridinghouse, 2022)

“Creative Consumption,” article for Rocca Gallery (December, 2021)

“Pre-texto,” public lecture commissioned by BilbaoArte for the conference Liminal writings: Cross Strategies of Language Formation in the Digital Age, curated by Alberto Lomas. (September, 2021)

“Knots and Splices: Portmanteaus of Mountain and Sea” / “Nodi e Impiombature: Portmanteau di Mare e Montagna,” text commissioned by the Port Museum of Tricase (September, 2020) [live performance]

“Notes on Notes,”/ “Notas sobre Notas,” short text commissioned for the solo show of David Hornback, Shittels, at Aldama Fabre gallery, Bilbao, Spain (June, 2020) [print only, pdf in English available here]

“How to Catch a Raccoon,” essay for the photography book Where the Hell is Wichita? by David Hornback (2020) [print only]

“Where Does the Torque Go?” / <<¿A dónde se dirige la torsión?>> text commissioned for the exhibition Allegoría Total at Ermita de San Miguel de Arretxinaga, Markina-Xemein, Spain, (June, 2018); curated by Dani Mera

“The Contagious Abortion of Cattle,” speculative nonfiction for EGRESS, Issue 2 (Little Island Press, 2018), republished online by NY Tyrant here.

“The Corner of Baja California and Medellín,” creative nonfiction for Meridian: The Semiannual from The University of Virginia, Issue 40 (Winter, 2018) [print only, pdf available here]

“Do not enter as you always do,” text commissioned for the solo show of artist Ixone Sábada, En este lugar, 138 veces, at Sala Rekalde, Bilbao, Spain (October, 2017 – January, 2018), republished in Barahúnda, Issue Zero (Winter, 2017) [Versión español aquí]

“Immaterial Girl,” review for Bookforum (March, 2016)

“Pockets of Resistance: The Formation and Continuing Aftereffects of China’s Post-Mao Fashion Craze,” essay for The Believer, Vol. 13, No.2 (Summer, 2015) [Versión español publicada en El Malpensante, Edición No. 186 (Junio, 2017)]

“The Autotelic Atticus Lish,” feature for Bookforum (February, 2015)

“Story on a String,” literary criticism for The Faster Times (June, 2012)

“Laughter and Ululation in Beckett and Moore,” literary rec for Guernica (February, 2010)